Μάθημα : Μουσικές Κλίμακες-Τρόποι & Εναρμόνιση της Παραδοσιακής-Δημοτικής Μουσικής
Κωδικός : MUSIC527
MUSIC527 - Δημήτριος Πυργιώτης
Ενότητες μαθήματος - Βιβλιογραφία
Βιβλιογραφία
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Bozkurt, B., Yarman, O., Karaosmanoğlu, M.K., & Akkoç, C. (2009). Weighing Diverse Theoretical Models on Turkish Maqam Music Against Pitch Measurements: A Comparison of Peaks Automatically Derived from Frequency Histograms with Proposed Scale Tones. Journal of New Music Research, 38 (1), 45-70.
D’ Erlanger, R. (1930-49). La Musique Arabe. Paris: Geuthner.
During, J, & Mirabdholbaghi, Z. (1991). The Art of Persian Music. Washington: Mage.
Elsner, J., & Pennanen, R.P. (Eds) (1997). The Structure and Idea of Maqam. Tampere: Tampere University
Farhat, H. (1990). The Dastgāh Concept in Persian Music. New York: Cambridge University Press.
Farraj J. & Shumays S. A. (2019). Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century. New York: Oxford University Press.
Fracile, N. (2003). The “Aksak” Rhythm, a Distinctive Feature of the Balkan Folklore. Studia Musicologica Academiae Scientiarum Hungaricae, 44(1/2), 197-210.
Hall, R.W. (2009). Geometrical Models for Modulation in Arabic Music. Philadelphia: Saint Joseph’s University.
Manuel, P. (1989). Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics. Yearbook for Traditional Music, 21, 70-94.
Marcus, S.L. (1989). Arab Theory in the Modern Period (Doctoral Dissertation). Los Angeles: University of California.
Marcus, S.L. (1992). Modulation in Arab Music: Documenting Oral Concepts, Performance Rules and Strategies. Ethnomusicology, 36(2), 171-195.
Marcus, S.L. (2007). Music in Egypt: Experiencing Music, Expressing Culture. New York: Oxford University Press.
Mavroidis, M. (1999). Οι Μουσικοί Τρόποι στην Ανατολική Μεσόγειο. Αθήνα: Fagottobooks.
Mikosch, T. (2017). Makamlar: The Musical Scales of Turkey. Lulu Press (self publication of the writer).
Muallem, D. (2010). The Maqam Book: A Doorway to Arab Scales and Modes. Kfar Sava, Israel: OR-TAV Music Publications.
Nettl, B., & Riddle, R. (1973). Taqsim Nahawand: A Study of Sixteen Performances by Jihad Racy. Yearbook of the International Folk Music Council, 5, 11-50.
Öztürk, O.M. (2018). How Was the Traditiona Makam Theory Westernized for the Sake of Modernization? Rast Müzikoloji Dergisi, 6(1) 1769-1787.
Pennanen, R.P. (1997). The Development of Chordal Harmony in Greek Rebetika and Laika Music, 1930s to 1960s. British Journal of Ethnomusicology, 6, 65-116.
Pennanen, R.P. (2008). Lost in Scales: Balkan Folk Music Research and the Ottoman Legacy. Musicology, 8, 127-147.
Pyrgiotis, D. (2004). Θησαυρός Μουσικών Κλιμάκων. Αθήνα: Fagottobooks.
Samson, J. (2013). Music in the Balkans. Leiden: Brill.
Shumays, A.A. (2013). Maqam Analysis: A Primer. Music Theory Spectrum, 35(2), 235-255.
Signell, K.L. (1977). Makam: Modal Practice in Turkish Art Music. Seattle: Asian Music Publications.
Signell, K. (2001). Contemporary Turkish Makam Practice. In V. Danielson, D. Reynolds & S. Marcus (Eds): The Middle East (Garland Encyclopedia of World Music, Vol. 6). New York: Routledge.
Simms, R. (2004). The Repertoire of Iraqi Maqamat. Lanham: Scarecrow Press.
Spector, J. (1970). Classical ‘Ud Music in Egypt with Special Reference to Maqamat. Ethnomusicology, 14(2), 243-257.
Touma, H. (1971). The Maqam Phenomenon: An Improvisation Technique in the Music of the Middle East. Ethnomusicology, 15, 38-45.
Touma, H. (1995). The Music of the Arabs (new expanded edition). Portland (OR): Amadeus Press.
Wright, O. (1978). The Modal System of Arab and Persian Music. London: Oxford University Press.
Yekta, R. (1922). La Musique Turque. Nous reproduisons, en 4 parties, l’intégralité de son article conacre à la musique turque et publié en Français en 1922. https://www.turquie-culture.fr/pages/arts/musique-turque/yekta-rauf-la-musique-turque-1922-1.html
Yöre, S. (2012). Maqam in Music as a Concept, Scale and Phenomenon. Zeitschrift für die Welt der Türken, 4(3), 267-286. Zannos, I. (1990). Intonation in Theory and Practice of Greek and Turkish Music. Yearbook for Traditional Music, 22, 42-59.